writing life

Be Your Own Hero

If you’ve been a writer for more than five minutes, no doubt you’ve been introduced to Joseph Campbell’s work, The Hero with a Thousand Faces. (If not, consider this your introduction. You’re welcome.) Campbell combines psychology with mythology to uncover the connections between folk tales told in different cultures across human history.

Through his research, Campbell found a standard set of archetypes in myths told around the world. In short, stories unfold in similar ways, no matter where they originated, because humans find these story structures the most satisfying. Storytellers have used these techniques for millennia.

So we writers often follow the Hero’s Journey for our characters, but what about ourselves? From time to time, we find ourselves mired in doubt and fear; we second guess; we lose our way. It can be difficult to summon the courage to keep typing, and it is sooo much easier to settle down to a Gilmore Girls marathon on Netflix with a bowl of chips and guacamole. (I’m just guessing.)

32964445A few weeks ago, I had the good fortune to attend a talk by author, editor, and coach Kendra Levin. She knows a thing or two about helping writers be confident and stay calm. In her new book, The Hero Is You, Kendra suggests that we can embark on the Hero’s Journey by placing ourselves as the hero of our own story. I’ve never thought about myself as the hero of my own story. Have you?

How can I apply this to my writing life? Heroes protect, serve, and sacrifice.

  • Protect: My time, my ideas.
  • Serve: The greater purpose, what I am trying to say to the world through my writing.
  • Sacrifice: Gilmore Girls may have to wait.

It helps to create a realistic framework for how heroes do this.

  • Goals:
    • Track your progress. For me, this could mean meeting a certain word count each day or simply ensuring I work on my writing projects daily.
    • Break your journey into manageable chunks. It’s daunting to look at my WIP and think about how many pages I have yet to write. Having a separate document for each chapter makes me feel like I’m accomplishing something.
    • Reward yourself for each milestone. Maybe I’ll watch the first episode of Gilmore Girls.
  • Know your strengths and weaknesses:
    • Strength: I’m a morning person. Get up early, get words on the page.
    • Weakness: Oh, there is something called Gilmore Girls on Netflix?
  • Allies:
    • Find your tribe. Frodo had Samwise, Luke Skywalker had Han Solo, and Lorelai had Rory. I have a dedicated and intrepid writing group. (They are terrific, and I’m not just saying that in case they read this.)



At the end of her talk, Kendra asked us two questions:

  1. What is one small step you can make in the next week to work toward your goal?
  2. What step could make the biggest impact?

I really didn’t do Kendra’s book justice in this small space. The Hero Is you: Sharpen Your Focus, Conquer Your Demons, and Become the Writer You Were Born to Be delves into the different archetypes of  the Hero’s Journey and how that relates to your writing journey. You’ll find lots of encouragement and camaraderie within the pages. 

Have a great weekend, everyone! 


The One With Starting Over

Last fall my novel-in-progress came to a standstill. I eked out a few sentences here and there, but I’d stopped writing any major forward motion of the plot.

It wasn’t that I’d lost interest in the story idea or the characters. In fact, I busied myself researching the time period, which I found fascinating. (Clue #1)

I was well over 120 pages in, roughly 30,000 words, and I started rereading those pages, shifting paragraphs around and making important edits, like changing characters’ names. (Clue #2)

What had me stumped, I realized, was what the characters should do next. I am largely a “pantser,” but I know that an outline can be invaluable help. I spent a couple of weeks writing one. (Clue #3)

Image via Wikipedia

Image via Wikipedia

Lo and behold, a lovely idea came to me like a bird on the wind. It was an unrelated character for a different story. It felt important to write this other story before the idea escaped. (Clue #4)

By this time months had passed, and I’d been dancing around what I knew I had to do. I opened a new document on my computer and started over.

My writing students gasped in horror when I shared this news. How could I throw it all away? Couldn’t I just rework the pages? Often reimagining a scene or a chapter is the right way to go, but sometimes it’s not. Can I be a bit vulgar for a moment? It’s just us here and I hope you won’t mind. Reworking crap is still crap.

Now, there is a big difference between thinking your work is crap and it being crap. Recognizing that gap is key. It is the difference between the cat that sleeps in your bed at night and a mountain lion; between a writer and a good writer. We all have doubts about our creative output. Is this writing good enough? (What “good enough” constitutes is the subject of another post. It’s a constant battle for me.) That’s true whether you’re painting or making origami or renovating your basement.  But this isn’t about losing your mental mojo.

Let’s say you wake up one morning and realize the story you’ve been writing really is crap, as I did. Do you pack it in? Grumble that you never wanted to be a writer anyway and reach for the Ben & Jerry’s in the freezer? Mourn the lost 120 pages? No, you don’t. You open a new document and you start over. Because you are a wordsmith and words are in endless supply. You’ll never run out.

Now that I think about it, the title of this post is a bit of a misnomer. I’m not really starting over. I’ve gained insight. I’ve learned about my characters—their personalities, their lives, why they want the things they want. That means I’m not starting over. I’m beginning again.

Each day we wake up, we begin again. That, of course, is a good thing. Aside from the obvious up shot of being alive another day, we have a chance to be our best selves, to do our best work. Here’s what I way to say: don’t be afraid to get rid of those words, scenes, chapters that aren’t working (or anything else for that matter). It can be difficult, but it’s nothing to be afraid of.

Interviewer: How much rewriting do you do?
Ernest Hemingway: It depends. I rewrote the ending of Farewell to Arms, the last page of it, 39 times before I was satisfied.
Interviewer: Was there some technical problem there? What was it that had stumped you?
Ernest Hemingway: Getting the words right.

– The Paris Review Interview, 1956

Have you stared over on a project?

Have a great weekend, everyone!